Tata Steel Kolkata Literary Meet (KLM) is one of the more recent additions to the wide repertoire of cultural events that the city of Calcutta can boast of. Though now there are more than fifty literary festivals in different parts of the country in a single calendar year, Kolkata Literary Meet still retains its uniqueness, thanks to the star studded list of speakers it has every year, the aura of the Victoria Memorial which hosts the fest and the rich literary heritage of the city which probably hasn’t faded over the years. The poet Jeet Thayil jokingly mentioned during one of the talk sessions of the fest that this year’s KLM kicked off smoothly with a poetry session- an idea that would invite some retaliation in some other parts of the country.
The first KLM I attended was in January, 2016, when I was in the city for a month’s break from graduate school in US. My mind was in quite a turbulent state that time owing to some emotionally draining events that happened around me then, and I was desperately looking for new ideas and philosophies. I attended several one hour talk sessions of KLM 2016 and each of them provided me with food for thought for the next several months. I ended up buying the books, written by the speakers in all those sessions, in the Kolkata Book Fair that followed the literary meet, took them back to US with me, read them with great passion for months and had long and intense conversations about the ideas in those books with my friends in grad school.
I wasn’t in Calcutta during KLM 2017, but this year (2018) I made it a point to be in the city during KLM. After attending Durga Puja first time in seven years, I feel like my bond with the city has been re-established and hence no way would I have missed KLM 2018. Here are my thoughts on the sessions I attended and found intriguing and some pictures I took at the sessions (This shouldn’t be treated as a comprehensive summary or review of KLM 2018, I attended only a few sessions and my thoughts here are more on how the ideas conveyed in those sessions are connected to the central theme of my blog than on the ideas themselves):
Sesher Kobita Ekhono Keno Prashangik- Soumitro Chatterjee
It was surreal for most people in the audience including myself to not only see the iconic Bengali actor on stage, a few yards in front of them, but also have the opportunity to ask him questions. Even if this session had no topic whatsoever and the speaker simply talked of how he had spent his day, I would have been glued to my seat hearing the person, who played the roles of Apu, Feluda, Amal (Charulata), etc. on screen to perfection and formed a large part of my childhood, talk. The session however had a specific topic- the relevance of Sesher Kobita ,an iconic Bengali novel written by Rabindranath Tagore, in today’s times, and closed with Soumitro Chatterji reciting the last part of the novel, which is essentially a couple of poems where the two lovers bid each other goodbye, probably symbolic of the state of mind Tagore himself was in when he wrote the novel in the twilight of his career. The octogenarian actor elegantly reciting those poems with the darkness of the night slowly descending upon the magnificent Victoria Memorial in the background provided a mesmerizing moment that the people in the audience would probably remember for years to come.
Abastob, Agyato, Aparichito (Unreal, Unknown and Unfamiliar) – Md. Zafar Iqbal, Sirshendu Mukherjee and Binod Ghoshal
The topic of the session was “Unreal, Unknown and Unfamiliar” in literature and the speaker panel most aptly included the iconic Bengali writer Sirshendu Mukherjee, whose novels for children were one of the best parts of my childhood and featured a lot of ghosts in a humorous way, and Bangaldeshi author and researcher in physics and computer science, Md. Zafar Iqbal. It wasn’t unexpected that a session on the relevance of ghosts and mystic elements in Bengali adult fiction would end up dwelling upon the possibility of existence of an abstract world or metaphysical realm beyond the physical world, which has been the major theme of my blog.
The most educated and well thought argument I have encountered so far in favor of the existence of the metaphysical realm is that there is a always subjective element to our consciousness. No two individuals experience reality the same way. Hence one should always be flexible about their conception of reality, leaving enough room for events that are labeled supernatural now but can be considered “real” in future. Author Sirshendu Mukherjee seemed to adhere to this view when he said that he neither really believed or disbelieved in ghosts. At least that was my take home message from what he said.
The most educated and well thought out counter argument to the above argument I have heard is that there is no empirical evidence to conclusively support the existence of the metaphysical realm. It is quite possible that the neurons in our brain fire in particular sequences to give us that “illusion”. Author Md. Iqbal probably seemed to adhere to that view when he said that in his opinion ghosts don’t exist but ghost stories do and being a physicist by training, he didn’t give too much importance to meta-physics.
Benche Thakar Lekha – Anupam Roy
The focus of the session with Anupam Roy, one of the most popular singer- song writers of Bengal in the current times, was on the poems, novels and song lyrics that he wrote so far as opposed to his music which had given him more fame and money. Anupam seemed to be particularly proud of his maiden novel “Somoyer Baire”, from which he read an excerpt that dwelt upon three smart young guys- an aspiring mathematician, an aspiring entrepreneur and a guy without aspirations, who followed different trajectories in their careers and lives, that crisscrossed a few times when they were munching peanuts sitting below the Shahid Minar in Maidan and reflecting upon their lives. It sounded extremely familiar and interesting to me. “Somoyer Baire” probably got into my “To Buy” list for the upcoming Kolkata Book Fair.
Performance of “Meghnad Badh Kabya” by Gautam Haldar and Naye Natua
It will probably take me another few years of serious study of classical poetry, shadhu bhasha and theatrics to make a single comment about this epic poem and the performance. For now I just feel blessed that I witnessed this performance.